{"id":327,"date":"2012-09-15T19:52:12","date_gmt":"2012-09-15T19:52:12","guid":{"rendered":"http:\/\/thecreativeinterface.org\/?page_id=327"},"modified":"2022-03-30T07:27:33","modified_gmt":"2022-03-30T07:27:33","slug":"equipment","status":"publish","type":"page","link":"http:\/\/beechpark.com\/index.php\/studio\/equipment\/","title":{"rendered":"Equipment"},"content":{"rendered":"<h1><strong><img loading=\"lazy\" class=\"alignright size-full wp-image-503\" title=\"Hardware effects\" src=\"\/wp-content\/uploads\/2012\/09\/LRG_FX_RACKSROLL_3_20_COPY.jpeg\" alt=\"\" width=\"300\" height=\"200\" \/>RECORDERS \/ PLAYERS<\/strong><\/h1>\n<ul>\n<li>PRO TOOLS HD4 EXCEL System with UAD Quad 2 Card<\/li>\n<li>PRO TOOLS HD 2 Mobile Recording System<\/li>\n<li>PRO TOOLS LE on a G4 Laptop<\/li>\n<li>OTARI MTR-15 \u00a0Two Track 1\/4&#8243;\u00a0Analogue Recorder\u00a0with Dolby A\/SR<\/li>\n<li>TASCAM DA3000 Two Track DSD Recorder<\/li>\n<li>TASCAM DAT Recorder<\/li>\n<li>TASCAM DA88 Eight Track Recorder<\/li>\n<li>SONY BETAMAX \/ FI (early digital two track system)<\/li>\n<li>HHB CD Recorder<\/li>\n<li>SONY MiniDisk<\/li>\n<li>OPPO BDP 95 Multi Disc Player<\/li>\n<\/ul>\n<h1><strong><a href=\"http:\/\/beechpark.com\/wp-content\/uploads\/2012\/09\/Equipment-trolley.jpg\"><img loading=\"lazy\" class=\"alignright size-medium wp-image-810\" src=\"http:\/\/beechpark.com\/wp-content\/uploads\/2012\/09\/Equipment-trolley-300x199.jpg\" alt=\"Beechpark Studio Equipment\" width=\"300\" height=\"199\" srcset=\"https:\/\/beechpark.com\/wp-content\/uploads\/2012\/09\/Equipment-trolley-300x199.jpg 300w, https:\/\/beechpark.com\/wp-content\/uploads\/2012\/09\/Equipment-trolley-1024x682.jpg 1024w, https:\/\/beechpark.com\/wp-content\/uploads\/2012\/09\/Equipment-trolley.jpg 1700w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>CONSOLE, PRES &amp; EQS<\/strong><\/h1>\n<ul>\n<li>AUDIENT 8024 \u00a060 Channel Console<\/li>\n<li>PRESONUS DIGIMAX Preamps<\/li>\n<li>GML 8300 \u00a0Mic Preamps<\/li>\n<li>NEVE 1084<\/li>\n<li>VINTECH X81<\/li>\n<li>VINTECH X73<\/li>\n<li>SOUNDFIELD MKV Mic System<\/li>\n<li>AVALON-VT737 \u00a0Tube Recording Channel<\/li>\n<li>AVALON AD2022 \u00a0Two Channel Mic Pre<\/li>\n<li>ATI 8MX \u00a0Mic Preamps<\/li>\n<li>API 3142M+ \u00a0Mic Preamps<\/li>\n<li>AUDIENT ASP008 Mic Pres<\/li>\n<li>AEA TRIP \u00a0Two Channel Mic Pre for ribbons<\/li>\n<li>FOCUSRITE ISA 115 \u00a0Two Channel Mic Pre\/Eq<\/li>\n<li>EARTHWORKS 1024 Mic Pre<\/li>\n<li>MASSENBURG 8200 \u00a0Two Channel Eq<\/li>\n<li>DRAWMER 1960\u00a0 Two Channel Mic Pre\/Valve Compressor<\/li>\n<li>DRAWMER DS201 Duel Noise Gate<\/li>\n<li>APHEX Aural Exciter<\/li>\n<li>DBX De-Essers<\/li>\n<\/ul>\n<h1><strong>COMPRESSORS<\/strong><\/h1>\n<ul>\n<li>SSL G384 Stereo<\/li>\n<li>ALAN SMART C1 Stereo<\/li>\n<li>UREI 1178 Stereo<\/li>\n<li>UREI 1176<\/li>\n<li>TELETRONIX LA2A<\/li>\n<li>DAKING<\/li>\n<li>CHANDLER TG 1 Stereo<\/li>\n<li>DBX 160VU Classic<\/li>\n<li>SPL TRANSIENT DESIGNER<\/li>\n<li>RNC (Really Nice Compressor)<\/li>\n<\/ul>\n<h1><strong>OUTBOARD FX<\/strong><\/h1>\n<ul>\n<li>EMT 140 Reverb Plate (x2)<\/li>\n<li>EMT 240 Gold Foil Reverb<\/li>\n<li>SONY R7 Reverb<\/li>\n<li>EVENTIDE H3000 SE<\/li>\n<li>Boss and MXR Guitar Pedals<\/li>\n<li>SONY M7 Delay<\/li>\n<\/ul>\n<h1><strong>MONITORING<\/strong><\/h1>\n<ul>\n<li>ATC SCM 300A Main Monitor System<\/li>\n<li>DYNAUDIO BM6A\u00a0(x5)<\/li>\n<li>AUDIENT ASP 510 Surround Controller<\/li>\n<li>YAMAHA NS 10M<\/li>\n<li>Hearback Headphone Mix System<\/li>\n<li>CANFORD Powered Speaker<\/li>\n<li>Mackie SRM450 PA speakers<\/li>\n<li>YAMAHA Powered Speaker<\/li>\n<\/ul>\n<h1><strong>MICROPHONES<\/strong><\/h1>\n<h1><strong>AKG<\/strong><\/h1>\n<ul>\n<li>AKG\u00a0<strong>414 ULS<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>AKG\u00a0<strong>414 TL 11<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>AKG\u00a0<strong>414 EB<\/strong><\/li>\n<li>AKG\u00a0<strong>C300B<\/strong>\u00a0&#8211;\u00a0<em>(x \u00a03)<\/em> (3 x CK91, 2 x CK98 shotguns).<\/li>\n<li>AKG\u00a0<strong>D12E<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>AKG\u00a0<strong>Solidtube<\/strong><\/li>\n<li>AKG\u00a0<strong>535EB<\/strong>\u00a0&#8211;\u00a0<em>(x 3)<\/em><\/li>\n<\/ul>\n<h1><strong>AUDIO TECHNICA<\/strong><\/h1>\n<p>AUDIO TECHNICA\u00a0<strong>835b Shotguns<\/strong>\u00a0&#8211;\u00a0<em>(x2)<\/em><\/p>\n<h1><strong>AUDIX<\/strong><\/h1>\n<ul>\n<li>AUDIX\u00a0<strong>D5<\/strong><\/li>\n<li>AUDIX\u00a0<strong>D6<\/strong><\/li>\n<\/ul>\n<h1><strong>BEYERDYNAMIC<\/strong><\/h1>\n<ul>\n<li>BEYERDYNAMIC\u00a0<strong>M160<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>BEYERDYNAMIC\u00a0<strong>M88<\/strong><\/li>\n<li>BEYERDYNAMIC <strong>M201<\/strong><\/li>\n<li>BEYERDYNAMIC <strong>M101<\/strong><\/li>\n<\/ul>\n<h1><strong>CROWN<\/strong><\/h1>\n<ul>\n<li>CROWN\u00a0<strong>PZM60<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<\/ul>\n<h1><strong>COLES<img loading=\"lazy\" class=\"alignright wp-image-639\" src=\"http:\/\/beechpark.com\/wp-content\/uploads\/2013\/02\/Mic.jpg\" alt=\"Mic\" width=\"277\" height=\"184\" srcset=\"https:\/\/beechpark.com\/wp-content\/uploads\/2013\/02\/Mic.jpg 960w, https:\/\/beechpark.com\/wp-content\/uploads\/2013\/02\/Mic-300x199.jpg 300w\" sizes=\"(max-width: 277px) 100vw, 277px\" \/><\/strong><\/h1>\n<ul>\n<li>COLES\u00a0<strong>4038<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>COLES <strong>4050<\/strong><\/li>\n<\/ul>\n<h1><strong>DPA<\/strong><\/h1>\n<ul>\n<li>DPA\u00a0<strong>4011<\/strong>\u00a0&#8211;\u00a0<em>( x2)<\/em><\/li>\n<li>DPA\u00a0<strong>4006<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>DPA\u00a0<strong>4060 Miniature mics<\/strong>\u00a0&#8211;\u00a0<em>(x 16)<\/em><\/li>\n<li>DPA\u00a0<strong>4088 Headset mic<\/strong><\/li>\n<li>DPA <strong>4099 Instrument mic<\/strong><\/li>\n<\/ul>\n<h1><strong>EARTHWORKS<\/strong><\/h1>\n<ul>\n<li>EARTHWORKS\u00a0<strong>TC30<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>EARTHWORKS\u00a0<strong>SR69<\/strong><\/li>\n<\/ul>\n<h1><strong>ELECTROVOICE<\/strong><\/h1>\n<ul>\n<li>ELECTROVOICE\u00a0<strong>RE20<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<\/ul>\n<h1><strong>MICROTECH GEFELL<\/strong><\/h1>\n<ul>\n<li>MICROTECH GEFELL\u00a0<strong>M295<\/strong>\u00a0&#8211;\u00a0<em>( x2)<\/em><\/li>\n<\/ul>\n<h1><strong>NEUMANN<\/strong><\/h1>\n<ul>\n<li>NEUMANN\u00a0<strong>U87<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>NEUMANN\u00a0<strong>KM 84<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>NEUMANN\u00a0<strong>KM 184<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>NEUMANN <strong>KMS 105<\/strong><\/li>\n<\/ul>\n<h1><strong>OCTAVA<\/strong><\/h1>\n<ul>\n<li>OCTAVA\u00a0<strong>219<\/strong><\/li>\n<\/ul>\n<h1><strong>PEARL<\/strong><\/h1>\n<ul>\n<li>PEARL\u00a0<strong>TL66<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<\/ul>\n<h1><strong>RODE<\/strong><\/h1>\n<ul>\n<li>RODE\u00a0<strong>Classic<\/strong><\/li>\n<li>RODE\u00a0<strong>NT 4<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>RODE\u00a0<strong>NT 1A<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<\/ul>\n<h1><strong>ROYER<\/strong><\/h1>\n<ul>\n<li>ROYER\u00a0<strong>R122<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<\/ul>\n<h1><strong>SENNHEISER<\/strong><\/h1>\n<ul>\n<li>SENNHEISER\u00a0<strong>e608 clip on mic<\/strong>\u00a0&#8211;\u00a0<em>(x 4)<\/em><\/li>\n<li>SENNHEISER\u00a0<strong>e609<\/strong><\/li>\n<li>SENNHEISER\u00a0<strong>M504<\/strong>\u00a0&#8211;\u00a0<em>(x 4)<\/em><\/li>\n<li>SENNHEISER\u00a0<strong>421<\/strong>\u00a0&#8211;\u00a0<em>(x 3)<\/em><\/li>\n<li>SENNHEISER\u00a0<strong>441<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<\/ul>\n<h1><strong>SHURE<\/strong><\/h1>\n<ul>\n<li>SHURE\u00a0<strong>SM 7b<\/strong>\u00a0&#8211;\u00a0<em>(x 2)<\/em><\/li>\n<li>SHURE\u00a0<strong>SM 57<\/strong>\u00a0&#8211;\u00a0<em>(x 5)<\/em><\/li>\n<li>SHURE\u00a0<strong>SM BETA 57<\/strong>\u00a0&#8211;\u00a0<em>(x 3)<\/em><\/li>\n<li>SHURE\u00a0<strong>SM 58<\/strong>\u00a0&#8211;\u00a0<em>(x 3)<\/em><\/li>\n<li>SHURE\u00a0<strong>BETA 52<\/strong><\/li>\n<li>SHURE\u00a0<strong>520DX Green Bullet<\/strong><\/li>\n<li>SHURE\u00a0<strong>55SH Scull<\/strong><\/li>\n<\/ul>\n<h1><strong>SONTRONICS<img loading=\"lazy\" class=\" wp-image-650 alignright\" src=\"http:\/\/beechpark.com\/wp-content\/uploads\/2013\/02\/Soundfield-Red2.jpg\" alt=\"Soundfield Red\" width=\"155\" height=\"233\" srcset=\"https:\/\/beechpark.com\/wp-content\/uploads\/2013\/02\/Soundfield-Red2.jpg 259w, https:\/\/beechpark.com\/wp-content\/uploads\/2013\/02\/Soundfield-Red2-199x300.jpg 199w\" sizes=\"(max-width: 155px) 100vw, 155px\" \/><\/strong><\/h1>\n<ul>\n<li>SONTRONICS\u00a0<strong>\u00a0STC-2<\/strong><\/li>\n<\/ul>\n<h1><strong>SOUNDFIELD<\/strong><\/h1>\n<ul>\n<li>SOUNDFIELD\u00a0<strong>MKV SYSTEM<\/strong><\/li>\n<\/ul>\n<h1><strong>SOUNDLUX<\/strong><\/h1>\n<ul>\n<li>SOUNDELUX\u00a0<strong>251<\/strong><\/li>\n<\/ul>\n<h1><strong>STUDIO PROJECTS<\/strong><\/h1>\n<ul>\n<li>STUDIO PROJECTS\u00a0<strong>C1<\/strong><\/li>\n<\/ul>\n<h1><strong>TELEFUNKEN<\/strong><\/h1>\n<ul>\n<li>TELEFUNKEN <strong>U47<\/strong><\/li>\n<li>TELEFUNKEN <strong>M80<\/strong> &#8211; <em>(x 2)<\/em><\/li>\n<\/ul>\n<h1><strong>DI, HEADPHONES, ETC.<\/strong><\/h1>\n<ul>\n<li>BSS DI Boxes &#8211;\u00a0<em>(x 3)<\/em><\/li>\n<li>COUNTRYMAN DI Boxes &#8211;\u00a0<em>(x 3)<\/em><\/li>\n<li>RADIAL JDI &#8211; <em>(x 2)<\/em><\/li>\n<li>RADIAL OX8 &#8211; Eight Channel 3-Way Microphone Splitter<\/li>\n<li>BAYERDYNAMIC DT 770<\/li>\n<li>SENNHEISER HD414 Headphones &#8211;\u00a0<em>(x15)<\/em><\/li>\n<li>SENNHEISER H2200 (x 6)<\/li>\n<li>SENNHEISER HD280<\/li>\n<li>AKG K240 (55 Ohm) &#8211;\u00a0<em>(x 10)<\/em><\/li>\n<li>AKG K240(200 Ohm) &#8211;\u00a0<em>(x 6)<\/em><\/li>\n<li>EXTREME ISOLATION Headphones<\/li>\n<li>SONY Headphones Various<\/li>\n<li>GRADOS Headphones<\/li>\n<li>SE Reflection Filter (one large, one small)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>RECORDERS \/ PLAYERS PRO TOOLS HD4 EXCEL System with UAD Quad 2 Card PRO TOOLS HD 2 Mobile Recording System PRO TOOLS LE on a G4 Laptop OTARI MTR-15 \u00a0Two Track 1\/4&#8243;\u00a0Analogue Recorder\u00a0with Dolby A\/SR TASCAM DA3000 Two Track DSD Recorder TASCAM DAT Recorder TASCAM DA88 Eight Track Recorder SONY BETAMAX \/ FI (early digital [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":283,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_links_to":"","_links_to_target":""},"_links":{"self":[{"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/pages\/327"}],"collection":[{"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/comments?post=327"}],"version-history":[{"count":29,"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/pages\/327\/revisions"}],"predecessor-version":[{"id":973,"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/pages\/327\/revisions\/973"}],"up":[{"embeddable":true,"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/pages\/283"}],"wp:attachment":[{"href":"http:\/\/beechpark.com\/index.php\/wp-json\/wp\/v2\/media?parent=327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}